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Kalidasa (Amar Chitra Katha)

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Beyond Reason: Using Emotions as You Negotiate

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101 Inspiring Stories (Gujarati)

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Sociology Class 12 CBSE (2023-24)

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Cambridge Primary English Activity Book 4

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Sudoku Series – Set Of 8 Titles

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Culture And Imperialism

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Honey Dew For Class 8- 849

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Hamara Paryavaran – Bhugol

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Advanced Dictionary of Mathematics Formulas

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31 Sarvshreshth Kahaniya – Premchand

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The Business of the 21St Century (Tamil)

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Ten Years with Guru Dutt: Abrar Alvi’s Journey

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The 52-Storey Treehouse (The Treehouse Series)

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Online store of household appliances and electronics

Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.

A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.