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Collected Writing on indian music 3 vols. Set

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Favourite Stories

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Chankya Ki Jaikatha

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bharatiya Bhashaon Mein Ramkatha : Asamiya Bhasha – 2

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Hermeneutics: A Very Short Introduction

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History of kings of nepal (A buddhist chronicle) (3 volume set)

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INSECTS

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From Goddess To Mortal

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Devi – An Introduction

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DR. BUMBLE BEE

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India/North East India: issues, dynamics and emerging realities

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History of Dharmasastra: Vol. 3

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Austro-Asiatic Linguistics of North-East India

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HIMACHAL PRADESH

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Balaji-Venkateshwara – An Introduction

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Hindustan Sabka Hai

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Gentle Hammer, Friendly Sword, Silent Arrow

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Art History

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Online store of household appliances and electronics

Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.

A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.