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GB #19 DEEP TROUBLE

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Misadventures of Butterfingers The Vol.1

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Offbeat Tracks in Maharashtra – A Travel Guide

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The Jim Corbett Omnibus – Vol. 1

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The Incredible Banker

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MYSTERY OF THE STOLEN PAINTING

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Yama (Hindi)

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Frankenstein (Wordsworth Classics)

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Of Love and Other Demons

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DAVID COPPERFIELD

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Rusty the Boy from the Hills

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Geronimo Stilton Heromice: Mice of The Rescue – 1

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The Mystery in Venice: 48 (Geronimo Stilton)

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Positive Thinking (Oriya)

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Online store of household appliances and electronics

Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.

A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.