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Ethnoscience And Traditional Technology In India (Vol.2)

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Encyclopaedia of Islamic Architecture: CENTRAL ASIA

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Fauna of Himachal Pradesh: Part – 1

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A Guide to the Temple Banteay Srei at Angkor

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CLINICAL VERIFICATION VERIFICATION CLINIQUE

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Gods & Goddesses in Indian Art and Literature

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Bonpo Thangkas from Rebkong

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Hindi Adhunikta Ek Punarvichar (I,II,III VOL)

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Climate changes in the himalayas: a case from solukhumbu

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Indian And East Asian Art And Iconography

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A History of Calcutta’s Streets

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Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.

A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.