Mystery books
JOSH THANE THRILLER (2) ? FINAL TARGET
KILLER, COME BACK TO ME
Kunex It Ends With Us : ”Sometimes The One Who Loves You Is The One Who Hurts You The Most”
LEGO NINJAGA: MYSTERY OF THE MASKS
Lies of My Monster: A Dark Mafia Romance: 2 (The Monster Trilogy)
LOGAN MCRAE (11) ? MACBRIDE LOGAN NOVEL 11
Marple (10) ? A CARIBBEAN MYSTERY
Mercy Watson Fights Crime
Mission Honeymoon / Lakeside Mystery
Mistletoe And Murder: A Murder Most Unladylike Mystery (Book 5)
MUD, MUCK AND DEAD THINGS (CAMPBELL & CARTER MYSTERY 1)
Murder in the Bookshop: The start of a totally addictive WW1 cozy murder mystery from Anita Davison for 2023 (Miss Merrill and Aunt Violet Mysteries, 1)
Murder in the Family: The #7 Sunday Times bestseller and gripping tiktok sensation that reads like true crime from the million-copies-sold author?
Murder Milestone: An Inspector Saralkar Mystery
Murder on the Orient Express (Poirot)
Murder, She Wrote: Death on the Emerald Isle
Murder, She Wrote: Killer on the Court
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













