Mystery books
The Mystery of the Blue Train (Poirot)
AC – CARIBBEAN MYSTERY
AC – SITTAFORD MYSTERY
AC – Seven Dial Mystery
A SALLY LOCKHART MYSTERY 2: THE SHADOW IN THE NORTH
AC – PARTNERS IN CRIME
AC – LISTERDALE MYSTERY
GAMES WITH THE DEAD: A PC DONAL LYNCH THRILLER
A MANON BRADSHAW THRILLER ? PERSONS UNKNOWN
THE WIFE: A GRIPPING EMOTIONAL THRILLER WITH A TWIST THAT WILL TAKE YOUR BREATH AWAY [NOT-US, CA]
A GERVASE FEN MYSTERY ? SWAN SONG
GEORGE MCKENZIE (3) ? THE GIRL WHO WALKED IN THE SHADOWS: A GRIPPING THRILLER THAT KEEPS YOU ON THE
Who Killed Christopher Goodman?: Based on a True Crime
DON?T TURN AROUND: A HEART-STOPPING GRIPPING DOMESTIC SUSPENSE
The Rat-a-tat Mystery
A SALLY LOCKHART MYSTERY: THE RUBY IN THE SMOKE
A SALLY LOCKHART MYSTERY: THE SHADOW IN THE NORTH
A SALLY LOCKHART MYSTERY: THE TIGER IN THE WELL
A SALLY LOCKHART MYSTERY: THE TIN PRINCESS
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













