Mystery books
GERONIMO STILTON MINI MYSTERY#05: THE DOUBLE CROSS
GERONIMO STILTON MINI MYSTERY#06: THE CHEESE BURGLAR
Secret Seven: Mystery of the Skull
History Mystery: Tughlaq And The Stolen Sweets
Sindhu and Jeets Missing Star Mystery: A Bloomsbury Reader
Is Rape a Crime?: A Memoir, an Investigation, and a Manifesto
THE MYSTERY OF THE SECRET HAIR OIL FORMULA
The Econuts and the Mystery of the Weird Noise (The Green World)
The Econuts and The Mystery of the Strange Paw Prints (The Green World)
The Econuts and the Mystery of the Lost Waterfall (The Green World)
Blyton 3: Mystery of the Secret Room
Tales of Mystery and Horror for Kids : illustrated Abridged Children Classics English Novel with Rev
Nancy Drew Once Upon A Crime #2
The Hardy Boys Super Mystery #2 Kidnapped At The Casino
3 and a Half Murders: An Inspector Saralkar Mystery
GERONIMO STILTON MINI MYSTERY#03: THE MOUSE HOAX
Murder Milestone: An Inspector Saralkar Mystery
Flipped 4: Sci-fi Stories and Mystery Stories
The Mystery in Flat 6B: A Bloomsbury Reader
Dead Lagoon: An Aurelio Zen Mystery
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













