Mystery books
Captain Raptor And The Moon Mystery
The Econuts Mystery Series Value Pack
Fall from Grace (A David Raker Mystery)
When Falcons Fall: 11 (Sebastian St. Cyr Mystery)
The Secret: Jack Reacher, Book 28 (Jack Reacher, 28)
Room One: A Mystery or Two
Babylon Berlin: Book 1 of the Gereon Rath Mystery Series (Gereon Rath Mystery Series, 1)
The Reckoning: A John Madden Mystery: 4
Corrupted Chaos
The Watchdogs Didnt Bark: The CIA, NSA, and the Crimes of the War on Terror
Infinity Reaper: A Hercule Poirot Mystery
Capture: Unraveling the Mystery of Mental Suffering
The Running Grave: Cormoran Strike Book 7
Crime Book, The (New)
Rise of a Queen: A Dark Billionaire Romance: 2 (Kingdom Duet)
Throne of Power: An Arranged Marriage Mafia Romance: 1 (Throne Duet)
Stolen Heir: A Dark Mafia Romance (Brutal Birthright)
Deadlier: 100 of the Best Crime Stories Written by Women
Brutal Prince: A Dark Mafia Romance (Brutal Birthright)
The Best of Dostoevsky Boxed Set (Crime and Punishment, The Idiot, The Brothers Karamazov)
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













