Mystery books
THE MYSTERY SERIES (THE FIND-OUTERS) BOX SET OF 15 TITLES Enid Blyton
The Night In Question : An Agathas Mystery
The Night Whispers: An unputdownable new thriller with a shocking twist
The Other Woman: The heart-stopping spy thriller from the New York Times bestselling author (Gabriel
THE PEOPLE NEXT DOOR: dark, twisty suspense from the number one bestselling author
The Perfect Son: A gripping psychological thriller with a breathtaking twist
The Picture of Dorian Gray Deluxe Hardbound Edition
The Postman Always Rings Twice (Special Edition)
The Rat-a-tat Mystery
The Reckoning: A John Madden Mystery: 4
The Running Grave: Cormoran Strike Book 7
The Secret: Jack Reacher, Book 28 (Jack Reacher, 28)
THE TALL MAN: A PAGE-TURNING THRILLER FOR THE SUMMER
THE TERMINAL LIST ? A Thriller
THE THOUSAND CRIMES OF MING TSU
THE THREE LOCKS – A Sherlock Holmes Adventure (4)
The Watchdogs Didnt Bark: The CIA, NSA, and the Crimes of the War on Terror
The Weapons of Mystery
The Wicked Cometh: The addictive historical mystery
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













