Mystery books
The Case of the Vanishing Gods: An M4 Mystery Book 1
The Cold Dish: A Longmire Mystery
The Complete Novel of Sherlock Holmes
The Coworker?
The Crossword Mystery
The Dark Remains: The Sunday Times Bestseller and The Crime and Thriller Book of the Year 2022 (LEAD
The Demons Door (A Haunted Mystery)
The Devil’s Kiss : Indian Mafia Captive Brides #1
The Disappearance of Lydia Harvey: A true story of sex, crime and the meaning of justice
The Econuts and the Mystery of the Lost Waterfall (The Green World)
The Econuts and The Mystery of the Strange Paw Prints (The Green World)
The Econuts and the Mystery of the Weird Noise (The Green World)
The Econuts Mystery Series Value Pack
The Exchange
The Family Upstairs: The #1 bestseller and gripping Richard & Judy Book Club pick (The Family Upstairs, 1)
The Fast and the Dead?
THE FIND-OUTERS: 10:THE MYSTERY OF THE STRANGE BUNDLE (A FORMAT)
THE FIND-OUTERS: 12:THE MYSTERY OF TALLY-HO COTTAGE (A FORMAT)
THE FIND-OUTERS: 13:THE MYSTERY OF THE MISSING MAN (A FORMAT)
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













