Comics & Graphic Novels books
Peach Boy Riverside 10
Orient 13
Magic Artisan Dahlia Wilts No More (Manga) Vol. 4
Lovesick Ellie 8
Lets Buy the Land and Cultivate It in a Different World (Manga) Vol. 2
Lazy Dungeon Master (Manga) Vol. 2
Island in a Puddle 5
Im in Love with the Villainess (Manga) Vol. 4
I Was Reincarnated as the 7th Prince so I Can Take My Time Perfecting My Magical Ability 4
I Swear I Wont Bother You Again! (Manga) Vol. 3
I Got Caught Up In a Hero Summons, but the Other World was at Peace! (Manga) Vol. 5
How NOT to Summon a Demon Lord (Manga) Vol. 15
Heavens Design Team 8
Go! Go! Loser Ranger! 3
Gleipnir 12
Fire Force 31
EDENS ZERO 21
DUNGEON DIVE: Aim for the Deepest Level (Manga) Vol. 4
Drugstore in Another World: The Slow Life of a Cheat Pharmacist (Manga) Vol. 6
Drifting Dragons 12
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













