Comics & Graphic Novels books
Wings of Fire Graphic Novel #05: The Brightest Night (Graphix)
WINGS OF FIRE GRAPHIC NOVEL #04: THE DARK SECRET (GRAPHIX)
WINGS OF FIRE GRAPHIC NOVEL #01: THE DRAGONET PROPHECY (GRAPHIX)
Silver Age Teen Titans Archives Vol 2 (New Teen Tit
The Seven Deadly Sins 6
Attack on Titan Omnibus 4 (Vol. 10-12)
CAT KID COMIC CLUB #3: ON PURPOSE (A GRAPHIC NOVEL)
Batman: Detective Comics Vol. 3: Greetin / TOMASI; PETER J.
Famous Five Graphic Novel: Five Go Adventuring Again
Famous Five Graphic Novel: Five on a Treasure Island
The Sandman Book Two
The Sandman Book One
Superman: Action Comics Vol. 1: Warworld Rising
SUPERBOY AND THE LEGION OF SUPER-HEROES (TABLOID EDITION)
ATTACK ON TITAN OMNIBUS 3 (VOL. 7-9)
BATMAN: DETECTIVE COMICS VOL. 1: THE NEIGHBORHOOD
ARCHIE: MODERN CLASSICS MAGIC
Science Comics: Whales
Science Comics: Spiders
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













