Thriller & Suspense
A Good Girl’S Guide To Murder – The Collection Of 3 Book-Set?
And Then There Were None: The World?s Favourite Agatha Christie Book: The World?s Favourite Agatha Christie Book
Anxious People
As Good As Dead
Brutal Prince: A Dark Mafia Romance (Brutal Birthright)
Chetan bhagat 400 days
Cold Blooded Love | A page-turning psychological thriller with twists that will keep you guessing until the end
Consumed by Deception: A Dark Marriage Mafia Romance: 3 (Deception Trilogy)
Corrupted Chaos
Crime and Punishment
Crime and Punishment
Empire of Sin: An Enemies to Lovers Romance: 2
Five Survive: AN INSTANT NUMBER 1 NYT BESTSELLER AND SUNDAY TIMES BESTSELLER! An explosive new crime thriller for summer from the award-winning author of A Good Girls Guide to Murder.
God of Malice: A Dark College Romance: 1 (Legacy of Gods)?
God of Pain: A Grumpy Sunshine College Romance: 2 (Legacy of Gods)
Good Girl, Bad Blood – The Sunday Times Bestseller And Seque?
Haunting Adeline (Cat and Mouse Duet)
Heart of My Monster: Special Edition Print: 3 (Monster Trilogy Special Edition Print)
Hidden Hindu, The ( Book 2)?
Ilamai – Ithudan Inaippu
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













