Books

Contemporaary Art

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CONTEMPORARY ART IN INDIA

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Contemporary Art: A Very Short Introduction

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Contemporary Critics and Critical Theories

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Contemporary Dance:Practices,paradigs and Practioners

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Contemporary Ecological Crisis: A Marxist View

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Contemporary India : A Sociological View

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Contemporary Indian Poetry in English

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Contemporary Indian Short Stories in English

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CONTEMPORARY ISSUES IN MANAGEMENT ACC.

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CONTEMPORARY ISSUES ON EDUCATION

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Contemporary Political Issues

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Contemporary Political Issues

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Contemporary Readings in Marxism: A Critical Introduction

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CONTEMPORARY SHORT STORIES FROM MIZORAM

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Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.

A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.