Books
The Diary Of A Young Girl -FINGERPRINT?
BRAIN GAMES FOR CLEVER KIDS [Paperback] Moore, Gareth
The Subtle Art of Not Giving a F*ck (Gift Edition) : A Counterintuitive Approach to Living a Good Life
The Room on the Roof: An award-winning novel by Ruskin Bond, first book in the famous Rusty series, a must-read illustrated classic [Paperback] Ruskin Bond
A Nation of Idiots?
TONGUE IN CHEEK : THE FUNNY SIDE OF LIFE?
Common, yet Uncommon?
Essential Calvin and Hobbes: A Calvin and Hobbes Treasury: Volume 2
INDIA Fun Activity Book for Children
The Coworker?
Life After Life?
The Power of A Positive Attitude: Your Road To Success
The Picture of Dorian Gray Deluxe Hardbound Edition
Tinkle Double Digest No. 6
Conundrum
Doglapan: The Hard Truth about Life and Start-Ups
Short History Of Nearly Everything, A (Bryson)
The Story Of My Experiments With Truth Mahatma Gandhi An Autobiography Hindi
Train To Pakistan (PB
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













