Books
/*Inglorious Empire: What the British Did to India
CALVIN & HOBBES :THERE’S TREASURE EVERYWHERE
DC Dutta?s Textbook of Obstetrics Including Perinatology & Contraception
Hacking Health: The Only Book You’ll Eve: The Only Book You?ll Ever Need to Live Your Healthiest Life
FRIENDS, LOVERS AND THE TERRIBLE BIG THING
Black Holes (L) : The Reith Lectures
Dasha Avatar (10002)?
Raavan : Enemy of Aryavarta (Ram Chandra Series Book 3) (The Ram Chandra, 3)?
Ram – Scion of Ikshvaku (Ram Chandra Series Book 1) (Ram Chandra, 1)
Mrityu: Jaanen Ek Mahayogi Se
An Introduction To Indian Art Part 1 : Textbook In Fine Arts For Class 11 – 11144?
Ivory Throne: Chronicles of the House of Travancore
VERITY [Paperback] Hoover, Colleen
FOURTH WING: DISCOVER THE INSTANT SUNDAY TIMES AND NUMBER ONE GLOBAL BESTSELLING PHENOMENON! (The Empyrean)?Hardcover ? 25 July 2023
VICTORY CITY
Statistics for Business & Economics, 13E
India’s Wars: A Military History, 1947-1971?
India Since Independence [Paperback] Bipan Chandra
War of Lanka (Ram Chandra Series Book 4)?
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













