Books
Chinese Art: A Guide to Motifs and Visual Imagery
Chinese Cinderella & The Secret Dragon
Chinese Influences on Modern Tibetan Writings: A Study of Selected Writings of Yidam Tsering and Dhondup Gyal
CHINESE MEDICAL DIAGNOSTICS COMPREHENSIVE TEXTBOOK
Chinese Philosophy – Simple Guides
Chinese Sources of South Asian History In Translation vol 1
Chinese Sources of South Asian History In Translation vol 4 the Golden Period of India China Relations
Chinese Sources of South Asian History In Translation vol 5
Chinese Sources of South Asian History In Translation vol 6
Chinese Sources of South Asian History In Translation vol 7
Chinese Sources of South Asian History In Translation Vol 8
Chinese Spies : From Chairman Mao to Xi Jinping
Chinese Whiskers : The Adventures Of Soyabean And Tofu In Beijing
Chinha Vigyan Upadaan Aur Sanskritik Sandarbh
Chini Aahaar evam Swasthya (Hindi)
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













