Books
Ravan Raja Rakshsancha – Marathi
The Adventures of Amina Al-Sirafi: The epic first book in a swashbuckling new fantasy series from the bestselling author of THE CITY OF BRASS
The adventures of Tintin: King Ottokar’s Sceptre
The Tiger Who Came to Tea: The bestselling classic children’s book from the beloved Judith Kerr: The bestselling children’s classic – now an award-winning animation
Penguin Random House The Fountainhead
Outliers: The Story of Success
Geronimo Stilton and the Kingdom of Fantasy: Special Edition: The Phoenix of Destiny
The Lean Startup: How Constant Innovation Creates Radically Successful Businesses [Paperback] Ries Eric
Pearson India The Lectures on Physics Vol.1 | Millennium Edition | By Pearson: Mainly Mechanics Radiation and Heat
The Almanack Of Naval Ravikant: A Guide to Wealth and Happiness
Don’t Lose Your Mind Lose Your Weight (10th Anniversary Edition)
Peppa Pig: Super Stickers Activity Book
The Arabian Nights: Illustrated Book For Children
Patternmaking for Fashion | Fifth Edition | By Pearson
The Architecture of Happiness [Paperback] de Botton, Alain
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













