Books
SUPPANDI (VOL 2) : TINKLE COLLECTION (SUPPANDI : TINKLE COLLECTION)
SUPPANDI (VOL 4) : TINKLE COLLECTION (SUPPANDI : TINKLE COLLECTION)
The Boy in the Striped Pyjamas: Read John Boyne’s powerful classic ahead of the sequel ALL THE BROKEN PLACES
SUPPANDI VOL 3 : TINKLE COLLECTION (SUPPANDI : TINKLE COLLECTION)
How I Taught My Grandmother to Read: And Other Stories
Suppandi Volume 7: Fire Away
Peppa Pig: Bedtime Little Library
Suppandi Volume 7: Fire Away
You are the Placebo: Making Your Mind Matter
Suppandi Volume 8?Employee of the Year
Sustainable Enterprise Strategies for Optimizing Digital Stewardship: A Guide for Libraries, Archives, and Museums (LITA Guides)
Chanakya Neeti with Sutras of Chanakya Included
Suppandi Essential Pack (white)
Swamy’s Handbook for CGS (English)
SIX OF CROWS: CROOKED KINGDOM (B PB)
Surely you’re Joking Mr Feynman: Adventures of a Curious Character
Radiant Rider-Waite in a Tin [With Book and Keepsake Tin]
System Design Interview – An insider’s guide Volume 1 And Volume 2 By Alex Xu (Set Of 2 Books)
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













