Books
PYTHON PROGRAMMING: USING PROBLEM SOLVING APPROACH
SATTVIK COOKING: MODERN AVATARS OF VEDIC FOODS
Satyajit Ray Miscellany: On Life, Cinema: On Life, Cinema, People & Much More (The Penguin Ray Library)
Savarkar (Part 1): Echoes from a Forgotten Past, 1883?1924
A SHORT TEXTBOOK OF PSYCHIATRY
Savarkar: A Contested Legacy, 1924-1966
Core Java: An Integrated Approach New: Includes All Versions upto Java 8
The Laws of the Spirit World
We Were Liars: The award-winning YA book TikTok can’t stop talking about!: The award-winning YA book TikTok can’t stop talking about!
Save the Cat!: The Last Book on Screenwriting You’ll Ever Need
School Student World Atlas Map Book English Latest Edition from InIkao
Science of Strength Training
Screenplay: The Foundations of Screenwriting
Secrets of a Pivot Boss: Revealing Proven Methods for Profiting in the Market
Leaders Eat Last (With a New Chapter): Why Some Teams Pull Together and Others Don’t [Paperback] Sinek Simon
History Collection (Amar Chitra Katha)
Secrets of Divine Love: A Spiritual Jour
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













