Books
Heritage Tourism: From Problems to Possibilities (Elements in Critical Heritage Studies)?
The Mindfulness Colouring Book: Anti-stress Art Therapy for Busy People
Heroes: The myths of the Ancient Greek heroes retold (Stephen Fry?s Greek Myths) [Paperback] Stephen Fry
Hidden Heritage: Rediscovering Britain?s Relationship with the Orient
Epics Collection (Amar Chitra Katha)
Peaceful Parent Happy Kids: How to Stop Yelling and Start Connecting (The Peaceful Parent Series)
Gut: The Inside Story Of Our Body’s Most Under-Rated Organ
High Street Fashion Coloring book for adults
The Bhagavad Gita: 1 (Easwaran’s Classics of Indian Spirituality)
Himachal Pradesh Map | English | 70 x 100 cm | Laminated
History of Sriniketan: Rabindranath Tagores Pioneering Work in Rural Reconstruction
The Greatest Short Stories of Leo Tolstoy
The Hobbit (Film tie-in edition)
Design as Art (Penguin Modern Classics)
HISTORY OF THE WORLD MAP BY M
Emotional Intelligence 2.0
The Complete Adventures of Feluda Vol. 2
Homo Deus: ?An intoxicating brew of science, philosophy and futurism? Mail on Sunday
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













