Books
CONTOURS OF THE WORLD ECONOMY P
Encyclopaedia of Islamic Architecture: MUGHAL PERIOD
Encyclopaedia of Islamic Architecture: SULTANATE PERIOD
Heritoge of India Series no.1 EARLY INDIAN ART & ARCHITECTURE
Ancient Indian Coins: Decoding of Their Indus-Brahmi Inscriptions with Special Emphasis on the Punch-Marked Coins
Buddhisms and Deconstructions
Faunal Diversity of Biogeographic Zones of India: Gangetic Plains
Early Classical Art of South Asia (2 vols. Set)
Encyclopedia of Indian Architecture : Hindu
Encyclopedia of Indian Architecture : ISLAMIC
Encyclopedia of Indian Architecture : Buddhist
Aacharya Ramanath Jha Rachnawali (5 volume Set)
Central Indian Paintings: in the jagdish and kamla Mittal Museum of Indian Art
Court Painting at Udaipur: Art under the Patronage of the Maharanas of Mewar
Hindi Sahitya Gyankosh (1 to 7 Volume Set)
Arabic and Persian Inscriptions of Bengal
Encyclopedia of Indian Architecture : JAIN
Architecture of Manasara (3 Volume Set) Acharya, Prasanna Kumar
The Making of Rodin
Faunal Diversity of Satkosia and Baisipalli Wildlife: Sanctuaries, Satkosia Tiger Reserve
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













