Books
A Free Life (Vintage International)
The Jaguar Path: The thrilling epic fantasy trilogy of freedom and empire, gods and monsters, continues in this sequel to THE STONE KNIFE (The Songs of the Drowned, Book 2)
Manias Panics and Crashes: A History of Financial Crises Seventh Edition
A Classical Dictionary of Hindu Mythology and Religion Geography History and Literature
A Textbook of Modern Zoology (Vol 1, 2)
Disability and rights in Indian perspectives
Agri-Business Potentials in India: Experiences From Hill States
The Wrong Bride: Ares and Raven’s Story (The Windsors)
HARRY POTTER: HOGWARTS SCHOOL OF WITCHCRAFT AND WIZARDRY DESKTOP STATIONERY SET
Early Buddhist Metal Images of South Asia
Dolpo: People and Landscape
Bastar Folk Art: Shrines, Figurines and Memorials
Drokpa: Nomads of the Tibetan Plateau and Himalaya
Bangkok Foodscapes: Public Eating, Gender Relations and Urban Change
Expression Beyond Impressions
Chilli and Cheese: Food and Society in Bhutan
Faunal Diversity of Bhoj Wetland Bhopal, Madhya Pradesh, India (A Ramsar Site)
Farewell to Yak and Yeti?:: The Sherpas of Rolwaling facing a globalised world
A Catalogue of the Telugu Books in the Library of the British Museum Completed by L. D. Barnett. Printed by Order of the Trustees
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













