Books
Confession And Other Religious Writings
Divine Comedy 1 : Hell (trans : Sayers)
The History Of The Decline And Fall Of The Roman Empire Vol. Ii
The History Of The Decline And Fall Of The Roman Empire Vol I
The Elephants Child And Other Stories: The Delightful World Of Rudyard Kipling
GB SERIES 2000 #22 FULL MOON FEVER
GB SERIES 2000 #02 BRIDE OF THE LIVING DUMMY
GB SERIES 2000 #24 EARTH GREEK MUST GO!
GB SERIES 2000 #10 HEADLESS HALLOWEEN
GB SERIES 2000 #03 CREATURE TEACHER
GB SERIES 2000 #12 BRAIN JUICE
GYGB #24 LOST IN THE STINKEYS SWAMP
GB SERIES 2000 #17 WEREWOLF IN THE LIVING ROOM
GB #38 THE ABOMINABLE SNOWMAN OF PASADENA
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













