Books
642 Big Things to Draw (642 Things)
Writing Fabulous Sentences & Paragraphs
Please Tell Me! Galko-chan Vol. 1 (Please Tell Me! Galko-chan, 1)
Shaw’s Textbook of Gynaecology, 18e
A Conjuring of Light: A Novel: 3 (Shades of Magic 3)
A Cry for Mercy: Prayers from the Genesee
Indian Folklore: Being a Collection of Tales Illustrating the Customs and Manners of the Indian People (Classic Reprint) [Hardcover] Jethabhai, Ganeshji
Smallville: The Official Companion Season 4
How to Build a Car: The Autobiography of the World?s Greatest Formula 1 Designer: The Autobiography of the World?s Greatest Formula 1 Designer
A Biodynamic Manual: Practical Instructions for Farmers and Gardeners
A Brief History of the Hughli District
A Greek Primer for the Use of Beginners in That Language
History of Dharmasastra: Vol. 4
Valmik’is Ramayana 6 volume set ( English)
DK Eyewitness Thailand (Travel Guide)
A God Entranced Vision of All Things: The Legacy of Jonathan Edwards
1000 Ideas by 100 Architects
McGraw-Hills 500 ACT English and Reading Questions to Know by Test Day (Mcgraw Hills 500 Questions
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













