Books
Inscriptional place names of orissa( AD 736-1568)
Hindi Patrakarita : Hamari Virasat Khand-1
Bharatiya Laghu Chitra Shailiyon mein Ankit MAHABHARAT ?????? ??? ?????? ??????? ??? ????? ?????????
Himalayan Flowers of Nepal
BIO-CULTURAL DIMENSION OF ADOLESCENT REPRODUCTIVE HEALTH
Apne Apne Agyey (2 Volume Set)
Brahmasutra Catuhsutri Sankarabhasyam-2 Volume Set
Hindi Patrakarita : Hamari Virasat Khand-2
Earth As Lamp: The Formation of Srivaisnavism and Other Essays
Clarifying the Meaning of the Arga and Consecration Rituals
Flora of Nepal Volume: 3 (Magnoliaceae to Roseaceae)
Glimpses of Kerala Culture (Third Revised Edition)
Encyclopedia of Indian Philosophies (Vol. 14): Jain Philosophy (Pt. 2)
Early Tantric Medicine: Snakebite, Mantras, and Healing in the Garuda Tantras
Bhartiya Kala evam Sanskriti : Vividh Aayam ?????? ??? ??? ???????? : ????? ????
Christian Mission and Conversion: A Historical Sociological and Anthropological Study of the D epressed Castes of India, 1850-1950
Faunal Representation on Chalcolithic Ceramics
Handbook on Indian Freshwater Molluscs
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













