Books
GERONIMO STILTON #29 DOWN AND OUT DOWN UNDER
GERONIMO STILTON #24 FIELD TRIP TO NIAGARA FALLS
GERONIMO STILTON #23 VALENTINES DAY DISASTER
GERONIMO STILTON #10 ALL BECAUSE OF A CUP OF COFFEE
GERONIMO STILTON #21 THE WILD WILD WEST
GERONIMO STILTON #22 THE SECRET OF CACKLEFUR CASTLE
GERONIMO STILTON #28 WEDDING CRASHER
GERONIMO STILTON #26 THE MUMMY WITH NO NAME
GERONIMO STILTON #25 THE SEARCH FOR SUNKEN TREASURE
GERONIMO STILTON #27 THE CHRISTMAS TOY FACTORY
GERONIMO STILTON #17 WATCH YOUR WHISKERS, STILTON
India Since Independence (Revised And Up
The Shattered Thigh And Other Plays
THE GOLDEN COMPASS: THE AMBER SPY GLASS
THE GOLDEN COMPASS: THE SUBTLE KNIFE
Hitopadesha How Friends Are Parted And Other Stori
New Kings Of Nonfiction The
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













