Books
GOD LIVED WITH THEM (PREMIUM)
Ayurveda Based Clinical Methods for Examination of Skin Diseases (Twak Vikara)
In Search Of Light : Through the Lens of Vedas and Science [Hardcover] S. Venkataramanan
Across Borders : A Story of Norway Nepal Relationships
DICTIONARY OF TERMS JOURNLISM MASS COMMINICATIONS MARKETING & PUBLIC RELATIONS
Clear Sky, Red Earth: A Himalayan Story
Bharatiya Sanskriti ke Ksitij
DIVERSITY TECHNOLOGY AND SOCIAL DIVEDE
Christian Engagement in Social Change : The Role of Theological Education
Emptiness in Indian Buddhism
History of Dharma Sastra-in Essence
Blessing Power of the Buddhas Sacred Objects, Sacred Lands
Fire, Death and Philosophy:: A History of Ancient Indian Thinking
A Guide to Buddhist Holy Places of India and Nepal
Discovering Bhaktapur: A Guide to the Historic Newar City
First Padded Board Book – Gift Pack (10 Titles)
ARUNACHALA RAMANA: ETERNAL OCEAN OF GRACE (SETS OF 7 BOOKS)
Aurangzeb’s Iconoclasm : Illustrations from Primary Source
Atthigiri: Splendour of the devaraja Swamy Temple
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













