Books

The Two Gentlemen of Verona

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THE 45 SECOND PRESENTATION-TAMIL

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BLOOD FOR BLOOD #02 INFERNO

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THEA STILTON MOUSEFORD ACADEMY#07 MICE TAKE THE STAGE

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THEA STILTON #22 THEA STILTON AND THE TROPICAL TREASURE

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Gs Academy Vocabulary Workbook Level 2

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OWL DIARIES #02: EVA SEES A GHOST (A BRANCHES BOOK)

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Shakespeare (A Beginners Guide)

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Fluffy and Me: True Story of True Friends

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Paradise Lost

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Pollyanna – Fingerprint!

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Get Ready for IELTS- Listening

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Turtle, Turtle, Watch Out!

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Butterfly Colors and Counting

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LEADERSHIP BS

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FOREVER WITH YOU

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ALL THE LIGHT WE CANNOT SEE

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MISLAID

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The Forgotten Daughter

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Online store of household appliances and electronics

Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.

A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.