Books
Anselm Kiefer in Conversation with Klaus Dermutz (The Seagull Library of German Literature)
Kid’s Activity Age 4+ – Pack (5 Titles- English Maths Environment Good Habits Logical Reasoning)
OUTLINES OF DAIRY TECHNOLOGY
A Christmas Carol and Other Christmas Books: Introduction by Margaret Atwood (Everyman’s Library Classics Series)
A Company of Planters: Confessional of a Colonial Rubber Planter in 1950s Malaya
AICTE Recommended| Introduction to Environmental Engineering and Science| By Pearson
Biology Under The Influence
Indian Biblical Reflections and Other Essays
Hinduism and its Relations to Christianity
Doctoral Research in Geography: A Survey
Geomorphology of North East India: With Special Reference to Kopili Basin
Bureaucracy & Develoopment Administration (Conceptual Changing)
A Glimpse of Some of the Austro-Asiatic Languages in India
ACADEMIC WRITING, ANTI-PLAGIARISM AND CITATIONS
A.I.T.M.(VOL-04): SIVA PURANA (PART-IV)
Aristotle’s Poetics: Sanskrit Translation & Critical Study
A.I.T.M.(VOL-03): SIVA PURANA (PART-III)
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













