Books
Ready Reckoner for Valuers, 1e
Against the Wind: Edward Kennedy and the Rise of Conservatism, 1976-2009
Ruthless King: A Dark Mafia Romance (Kings of Temptation)?
Psychology | Fifth Edition | By Pearson
Caged Tiger: How Too Much Government Is Holding Indians Back
Mathematical Physics with Classical Mechanics
Repertory of the Homoeopathic Materia Medica: 1
7 Steps to Spiritual Empathy a Practical Guide: The Spiritual Philosophy of Emotional Intelligence: 1 (Intelligence of Our Emotions)
A Book About Innocent: Our story and some things we’ve learned
A Child of the Revolution (Paperback)
A Dangerous Disguise (The Barbara Cartland Pink Collection)
A DICTIONARY OF STATISTICS 3E OPR (Oxford Quick Reference)
A Gift of Love: Sermons From “Strength To Love” and Other Preachings (King Legacy)
Learn Calligraphy: The Complete Book of Lettering and Design
GOLDEN MATHS SERIES REAL ANALYSIS
Neural Networks & Learning Machines
Charles F. Stanley Life Principles Bible, Nkjv
CCNA Routing and Switching Icnd2 200-105 Official Cert Guide
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













