Books
Dog Man 11: Twenty Thousand Fleas Under the Sea
Good Night Stories for Rebel Girls 2: Volume 2
A DICTIONARY OF PSYCHOLOGY 4E OPR (Oxford Quick Reference)
AN ADVANCED HISTORY OF INDIA
Basic Radiological Physics
80s & ’90s Rock: Melody Line Chords and Lyrics for Keyboard Guitar Vocal (Paperback Songs)
A Civil Campaign: A Comedy of Biology and Manners (Miles Vorkosigan Adventures)
A Confederacy of Dunces: ‘Probably my favourite book of all time’ Billy Connolly (Penguin Essentials)
A DICTIONARY OF DENTISTRY 1E: PB
A Fine Balance (Vintage International)
A Gathering of Days: A New England Girl’s Journal 1830-1832
A Gentleman’s Honour: Number 2 in series (Bastion Club)
Fauna of Koyna Wildlife Sanctuary Maharashtra
Fascicles of Flora of India vol.-28 Orchidaceae: Orchideae Cranichideae: Subtribe Goodyearinar
Discourses on Bodhicaryavatara
BOENNINGHAUSENS CHARACTERISTICS MATERIA MEDICA & REPERTORY WITH WORD INDEX
The Case for Mars: The Plan to Settle the Red Planet and Why We Must
ADD Success Stories: A Guide to Fulfillment for Families with Attention Deficit Disorder
The Russian: A Novel (Rob Tacoma, 1)
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













