Books
CISA Exam-Study Guide by Hemang Doshi [Paperback] [2018] Doshi, Hemang
Abhinavagupta’s Commentary on the Bhagavad Gita (Pb)
CLINICAL ACUPUNTURE WITH CHART
An Introduction to Journalism
Phylogenetic Trees Made Easy: A How-to Manual
Practical Gemmology – A Study of the Identification of Gem-Stones, Pearls and Ornamental Minerals
Hacking Wireless Networks For Dummies
Journal of the Asiatic Society of Bengal, Volume 66, Issue 1…
The Politicians and the Egalitarians ? The Hidden History of American Politics
Flavors of Burma: Cuisine and Culture from the Land of Golden Pagodas
Killing Patton: The Strange Death of World War IIs Most Audacious General (Bill OReillys Killing
Facebook and Philosophy (Popular Culture and Philosophy)
They Fought Alone: The True Story of the Starr Brothers, British Secret Agents in Nazi-Occupied Fran
A Local History of Global Capital
Save the Cat!: The Last Book on Screenwriting You’ll Ever Need
Ruthless Enforcer: Mafia Romance with a Morally Grey Hero: 4 (Syndicate Rules)?
World?s Greatest Classics (Box Set of 4 Books)
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













