Books
Thea Stilton and The Secret City (Geronimo Stilton): 4: 04
Thea Stilton and the Secret of the Old Castle : 10 (Geronimo Stilton)
Thea Stilton and The Spanish Dance Mission: 16 (Geronimo Stilton)
Thea Stilton and the Star Castaways: 7: 07 (Geronimo Stilton)
THEA STILTON AND THE TREASURE SEEKERS #2: THE COMPASS OF THE STARS
THEA STILTON AND THE TREASURE SEEKERS #3: THE LEGEND OF THE MAZE
Thea Stilton Classic Tales: Pride and Prejudice
Thea Stilton Classic Tales: Romeo and Juliet
Thea Stilton Mouseford Academy #5: The Secret Invention
Thea Stilton Mouseford Academy #8: A Fashionable Mystery
Thea Stilton Mouseford Academy #9: The Mysterious Love Letter Geronimo Stilton
THEA STILTON MOUSEFORD ACADEMY#07 MICE TAKE THE STAGE
THEA STILTON MOUSEFORD ACADEMY#10 A DREAM ON ICE
THEA STILTON MOUSEFORD ACADEMY#11 LIGHTS CAMERA ACTION!
THEA STILTON MOUSEFORD ACADEMY#12 MICE ON THE RUNWAY
THEA STILTON MOUSEFORD ACADEMY#13 SEA TURTLE RESCUE
THEA STILTON MOUSEFORD ACADEMY#14 THE SECRET NOTEBOOK
THEA STILTON MOUSEFORD ACADEMY#15 THE FRIENDSHIP RECIPE
THEA STILTON MOUSEFORD ACADEMY#16 THE ROYAL BALL
THEA STILTON MOUSEFORD ACADEMY#17 THE PUPPY PROBLEM
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













