Books
THEA STILTON #27 THEA STILTON AND THE NIAGARA SPLASH
THEA STILTON #28 THEA STILTON AND THE RIDDLE OF THE RUINS
THEA STILTON #29 THEA STILTON AND THE PHANTOM OF THE ORCHESTRA
THEA STILTON #30: BLACK FOREST BURGLARY
THEA STILTON #31: THEA STILTON AND THE RACE FOR THE GOLD
THEA STILTON #32: THE RAINFOREST RESCUE
Thea Stilton #33: The American Dream
THEA STILTON #34: ROMAN HOLIDAY
Thea Stilton #35: Fiesta in Mexico
Thea Stilton and The Cherry Blossom Adventure: 06 (Geronimo Stilton)
Thea Stilton and the Chocolate Sabotage (Thea Stilton#19)
Thea Stilton and the Dancing Shadows: 14 (Geronimo Stilton)
Thea Stilton and the Dragon’s Code: 01 (Geronimo Stilton)
Thea Stilton and the Frozen Fiasco (Thea Stilton #25) Geronimo Stilton
Thea Stilton and the Ghost of the Shipwreck: 3: 03 (Geronimo Stilton)
Thea Stilton and the Great Tulip Heist
Thea Stilton and the Legend of the Fire Flowers: 15 (Geronimo Stilton – 15)
Thea Stilton and The Mystery in Paris: 05 (Geronimo Stilton)
Thea Stilton and the Mystery on the Orient Express: 13 (Geronimo Stilton)
Thea Stilton and the Prince’s Emerald: 12 (Geronimo Stilton)
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













