Books
The Grand Amar Chitra Katha Collection: Set of 12 books
The Creation Records Story
The Temporary Wife: An Age Gap, Marriage of Convenience Romance: 1 (Once Upon a Time)?
The Student’s Sanskrit-English Dictionary: Containing Appendices on Sanskrit Prosody and Important Literary and Geographical Names in the Ancient Hist. of India
The Silk Roads: A New History of the World
THE OXFORD DICTIONARY OF SYNONYMS AND ANTONYMS 3E OPR (Oxford Quick Reference)
The Half Known Life: In Search of Paradi: In Search of Paradise
The adventures of Tintin: King Ottokar’s Sceptre
History of Ancient India | First Edition | By Pearson: Pashan Kal Se 12vi Shatabdi Tak (A History of Ancient and Early Medieval India: From the Stone Age to the 12th Century)
Range: How Generalists Triumph in a Specialized World
Glimpses of World History by Jawaharlal Nehru: Sneak peek into World History and Independent India Before and After Biography Book by Jawaharlal Nehru Penguin Books
Empire of Pain: The Secret History of the Sackler Dynasty
Dietetics – Multi Colour Edition
The Go Programming Language
WORD PROBLEMS GRADE 1 (Kumon Math Workbooks)
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













