Books
A Grammar of the Hindi Language: In Which Are Treated the Standard Hindi, Braj, and the Eastern Hind
The Juhu Beach Club Cookbook: Indian Spice, Oakland Soul
Ultimate Guide to Pay-Per-Click Advertising
Culture Jam: How To Reverse AmericaS Suicidal Consumer Binge–Any Why We Must
Manifesta [10th Anniversary Edition]: Young Women, Feminism, and the Future
Adventures of Israel St. James
Blood, Tears, and Folly: An Objective Look at World War ll
FOURTH CHILD: A Novel
Cult Perfumes: The Worlds Most Exclusive Perfumeries
Silent Vows: Special Edition Print?
THE SHADOW OF THE WIND: THE CEMETERY OF FORGOTTEN BOOKS 1 (REISSUE)
Thinking Fast and Slow (Penguin Press Non-Fiction) [Paperback] Daniel Kahneman
Cracking the Coding Interview (Indian Edition)
India After Gandhi: The History of the World’s Largest Democracy
Flow: The Classic Work On How To Achieve Happiness: The Psychology of Happiness
Ivory Throne: Chronicles of the House of Travancore
Oxford Student Atlas for India, Fourth Edition
Oxford Dictionary of Idioms
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













