Books
The Strength You Need: The Twelve Great Strength Passages of the Bible
The Stress-Free Pregnancy Guide: A Doctor Tells You What to Really Expect
The Student’s Sanskrit-English Dictionary: Containing Appendices on Sanskrit Prosody and Important Literary and Geographical Names in the Ancient Hist. of India
The Stuff Of Thought Language As A Window Into Human Nature
The Sublime Object of Ideology
The Subtle Art of Not Giving a F*ck
The Subtle Art of Not Giving a F*ck
The Subtle Art of Not Giving a F*ck (Gift Edition) : A Counterintuitive Approach to Living a Good Life
The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life
The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life
The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life
The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life
The Success Principles Workbook
The Success Principles: How to Get from Where You Are to Where You Want to Be
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













