Books
Research Methodology in Behavioural Sciences
When Genius Failed: The Rise and Fall of Long-Term Capital Management
Mathematics For Degree Students B.sc Ist Year
A Compact & Comprehensive Book of IIT Foundation (Physics & Chemistry) – Class 8
A Billionaire Between the Sheets
A Brief History of British Kings & Queens (Brief Histories)
A BRIEF HISTORY OF THE CRUSADES: ISLAM AND CHRISTIANITY IN THE STRUGGLE FOR WORLD SUPREMACY (Brief Histories)
A Culinary Journey for the Love of Biryani: Over 100 Tantalizing Recipes
A DICTIONARY OF ACCOUNTING 5E (Oxford Quick Reference)
Lakhmir Singh’s Science 5 (for 2021 Exam)
Qed: The Strange Theory of Light and Matter [Paperback] Feynman Richard P
Usborne Illustrated Dictionary of Maths (Illustrated Dictionaries and Thesauruses)
The Illustrated History of Football: the highs and lows of football brought to life in comic form…
ANCIENT INDIAN SOCIAL HISTORY (REVISED EDN.): Some Interpretations
Physics and Philosophy: The Revolution in Modern Science (Penguin Classics)
Theory And Practice Of Animal Taxonomy And Biodiversity 8Ed (Pb 2019)
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













