Books
Atomic Habits: The life-changing million copy bestseller [Paperback] James Clear
The India Way : Strategies for an Uncertain World
The Ikigai Journey: A Practical Guide to Finding Happiness and Purpose Japanese Way: (SEQUEL TO Ikigai: The Japanese secret to a long and happy life)
THE GOPI DIARIES: GROWING UP?
SIX OF CROWS (B PB): Book 1
The Hard Thing about Hard Thing: Building a Business When There are No Easy Answers
Outliers: The Story of Success
Guns Germs And Steel: 20th Anniversary Edition
Illustrated Guide to the Homeopathic Treatment: 3rd Edition
LITTLE OXFORD ENGLISH DICTIONARY 9/E
Hacking Health: The Only Book You?ll Eve: The Only Book You?ll Ever Need to Live Your Healthiest Life
English Gem Dictionary: The world?s favourite mini dictionaries (Collins Gem)
Colouring Books Collections by InIkao (12 Books) : Pack of 12 Copy Color Books For Kids ( beginners step towards drawing )
12 Rules for Life: An Antidote to Chaos [Paperback] Peterson, Jordan B.?
Bhagawat: The Krishna Avatar (Amar Chitra Katha)
I KNOW WHY THE CAGED BIRD SINGS
The Wind-Up Bird Chronicle
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













