Books
The Dhandho Investor: The Low-Risk Value Method to High Returns
Simply Fly: A Deccan Odyssey
Eugene Onegin: A Novel in Verse (Penguin Classics)
A Book of Night Women: From the Man Booker prize-winning author of A Brief History of Seven Killings
A Boy Called Christmas [Paperback] Haig Matt and Mould Chris
A BRIEF HISTORY OF THE THIRD REICH: THE RISE AND FALL OF THE NAZIS (Brief Histories)
A Christmas Carol (Illustrated by Arthur Rackham with an Introduction by Hall Caine)
A Christmas Party
A Cold Death (A Rocco Schiavone Mystery)
A Dance with Dragon: After the Feast – Part 2 (A Song of Ice and Fire)
A Deeper Sleep: 15 (A Kate Shugak Investigation)
A Dirty Job: A Novel
A Farewell to Ice: A Report from the Arctic
A Game of Thrones: The Graphic Novel – Vol. 1 (Volume One)
The Lost World
Dance Dance Dance
The Tibetan Book Of Living And Dying: A Spiritual Classic from One of the Foremost Interpreters of Tibetan Buddhism to the West (Rider 100)
NTA-UGC-NET/JRF: Economics (Paper I & Paper II) Previous Years Papers (Solved)
HOW GOOGLE WORKS (REISSUE)
Holy Bible: New International Version
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













