Books
Men Without Women: Stories: FEATURING THE SHORT STORY THAT INSPIRED OSCAR-WINNING FILM DRIVE MY CAR
SIX OF CROWS: CROOKED KINGDOM (B PB)
A Short History of Nearly Everything
Geronimo Stilton Se: The Journey through Time [Hardcover] Geronimo Stilton
SEVEN HUSBANDS OF EVELYN HUGO
Leaders Eat Last (With a New Chapter): Why Some Teams Pull Together and Others Don’t [Paperback] Sinek Simon
Getting to Yes: Negotiating an agreement without giving in
Geronimo Stilton – The Amazing Voyage: The Third Adventure in the Kingdom of Fantasy: 3
The God Delusion: 10th Anniversary Edition
The 7 Habits Of Highly Effective Teenagers
Light on Yoga: The Classic Guide to Yoga by the World’s Foremost Authority
Learn, Don?t Study: A guide for students and parents to succeed in the ever-changing landscape of the modern workplace
Design Data Handbook For Mechanical Engineers In Si And Metric Units 4Ed (Pb 2019)
Quantum Mechanics: The Theoretical Minimum
The Rise and Fall of the Great Powers
Design as Art (Penguin Modern Classics)
A Feast of Vultures: The Hidden Business of Democracy in India
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













