Books
Factfulness: Ten Reasons We’re Wrong About the World – and Why Things Are Better Than You Think [Hardcover] Hans Rosling
Lean In: Women Work and the Will to Lead
My Big Book of Patterns And Pencil Control : Interactive Activity Book For Children To Practice Patterns, Numbers 1-20 And Alphabet
Asura: Tale of the Vanquished
MANORMA YEAR BOOK 2023 (ENG)
Legend of Suheldev : The King Who Saved India
Krishna: The Man & His Philosophy?
Daring Greatly: How the Courage to Be Vulnerable Transforms the Way We Live Love Parent and Lead
Harry Potter and the Cursed Child – Parts One and Two: The Official Playscript of the Original West End Production
India: From Curzon to Nehru & after
Doglapan: The Hard Truth about Life and Start-Ups
The $100 Startup: Fire Your Boss Do What You Love and Work Better To Live More
And Then There Were None: The World?s Favourite Agatha Christie Book: The World?s Favourite Agatha Christie Book
5000 + Daily Use English Sentences | Kanchan Keshari
Persepolis: The Story of a Childhood (Pantheon Graphic Library)
Thea Stilton Se: The Secret of the Fairies: 2 (Geronimo Stilton: Thea Stilton)
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













