Books
A Certain Clarity
Contemporary Sport Management With Web Study Guide-4th Edition
Every Single Lie
Throne of Power: An Arranged Marriage Mafia Romance: 1 (Throne Duet)
Higher Engineering Mathematics [Perfect Paperback]
Death On Board: The first in an addictive, historical cozy mystery series from Anita Davison for 2023 (The Flora Maguire Mysteries, 1)?
Stolen Heir: A Dark Mafia Romance (Brutal Birthright)
Why Has Nobody Told Me This Before?: The No 1 Sunday Times bestseller
Never Split the Difference: Negotiating as if Your Life Depended on It
Why We Sleep: The New Science of Sleep and Dreams
Norwegian Wood
The Complete Novels of Sherlock Holmes
The Battle of Rezang La
AWAKEN THE GIANT WITHIN
Surely you’re Joking Mr Feynman: Adventures of a Curious Character
You are the Placebo: Making Your Mind Matter
Stop Weighting: A Guidebook for a Fitter: A Guidebook to a Fitter, Healthier You
FROM PLASSEY TO PARTITION AND AFTER (2ND EDN)
Fooled by Randomness: The Hidden Role of Chance in Life and in the Markets
Percy Jackson and the Last Olympian (Book 5) [Paperback] Rick Riordan
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













