Books
Fallen: Book 1 of the Fallen Series
The Canterbury Tales (Penguin Classics)
Way to Russia 1.1 with 3 CDs
CONVERSATIONS WITH GOD BOOK 2
Lady and The Monk: Four Seasons in Kyoto
Maximum City: Bombay Lost & Found
Mindhunter: Inside the FBI Elite Serial Crime Unit (Now A Netflix Series)
Tower of Dawn (Throne of Glass)
Blind Willow Sleeping Woman
DARK PLACES: The New York Times bestselling phenomenon from the author of Gone Girl
AMRITA PRITAM KI CHUNINDA KAHANIYAN
GURBAKSH SINGH PREETLADI KI CHUNINDA KAHANIYAN (HINDI)
A Discriptive Catalogue of The Sanskrit Manuscripts Volume X
Employment Role of MicroEnterprises in Himachal
Evening Talks with Sri Aurobindo
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













