Books
The Boy in the Striped Pyjamas (10th Anniversary Collectors Edition)
The Boy in the Striped Pyjamas: Read John Boyne’s powerful classic ahead of the sequel ALL THE BROKEN PLACES
THE BOY WHO BECAME A DRAGON: A BIOGRAPHY OF BRUCE LEE
The Boy Who Failed Dodgeball
THE BOY WHO GOT ACCIDENTALLY FAMOUS
The Boy Who Harnessed The Wind: Young Re
The Boy Who Harnessed the Wind: Young Readers Edition
THE BOY WHO SWALLOWED A NAIL AND OTHER STORIES
THE BOY WHO WAS RAISED AS A DOG: And Other Stories from a Child Psychiatrist’s Notebook–What Traumatized Children Can Teach Us About Loss Love and Healing
The Boy with a Broken Heart
THE BOY YOU’VE LOVED READING ABOUT BOX SET
The Boy, The Mole, The Fox and The Horse [Hardcover] Mackesy, Charlie
THE BOY: His Stories and How They Came to Be
The Boys from Biloxi (SA and ANZ Only)
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













