Books
OXFORD COLLOCATION DICTIONARY 2E PACK
The Bluest Eye
DUDE YOU’RE GONNA BE A DAD!: How to Get (Both of You) Through the Next 9 Months
Read It Yourself Little Red Hen Level 1 (mini Hc)
What Happened to Netaji
ABC Play With Sticker Book for Children Age 3 -6 Years (My Sticker Activity Books)
Social & Political Life For Class – 8 – 860
The Girl Who Chose: A New Way of Narrating the Ramayana
The Ultimate Sales Machine: Turbocharge Your Business with Relentless Focus on 12 Key Strategies
Neuromancer: 1 (Sprawl Trilogy)
The Gulag Archipelago
RUIN AND RISING (B PB): THE GRISHA BOOK 3
Turn The Ship Around!: A True Story of Building Leaders by Breaking the Rules
Java Concurrency in Practice 1/e
She Broke Up I Didn’t: I Just Kissed Someone Else!
EMOTIONAL DESIGN
David Copperfield (Penguin Classics)
Valley of the Giant Skeletons: 32 (Geronimo Stilton)
Homeopathic Psychology: 1
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













