Books
FACES OF GROUND ZERO
RICK STEVES BERLIN
MOSQUITO BOWL, THE
A Boy and a House
This Savage Song collectors hardback
HAPPY IN A HURRY COOKBOOK, THE
Biblical Greek Vocabulary in Context
Bridge to the Sun: The Secret Role of the Japanese Americans Who Fought in the Pacific in World War
REMEMBER THE RAMRODS
The Oracle Card Journal: A Daily Practice for Igniting Your Insight, Intuition, and Magic
LION AND THE FOX, THE
GIFT OF EVERYTHING
The Aftermath: The Last Days of the Baby Boom and the Future of Power in America
Lower Secondary English Students Book: Stage 8
Virtual You: How Building Your Digital Twin Will Revolutionize Medicine and Change Your Life
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













