Books

Introducing Marx: A Graphic Guide (Graphic Guides)

Original price was: $84.00.Current price is: $39.00.

The Collected Short Stories (The Penguin Ray Library)

Original price was: $105.00.Current price is: $39.00.

If Tomorrow Comes

Original price was: $106.00.Current price is: $39.00.

The Hobbit (Film tie-in edition)

Original price was: $104.00.Current price is: $39.00.

The Very Hungry Caterpillar (Big Board Book)

Original price was: $105.00.Current price is: $39.00.

The Snail and the Whale

Original price was: $104.00.Current price is: $39.00.

Road Less Travelled The

Original price was: $105.00.Current price is: $39.00.

Peppa Pig: Marvellous Magnet Book

Original price was: $106.00.Current price is: $39.00.

Dhoni Touch, The: Unravelling the Enigma

Original price was: $83.00.Current price is: $39.00.

THE FAMOUS FIVE COLLECTION 4

Original price was: $106.00.Current price is: $39.00.

ASSAM: FROM YANDABO TO PARTITION

Original price was: $105.00.Current price is: $39.00.

Land of Black Gold (Tintin)

Original price was: $104.00.Current price is: $39.00.

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Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.

A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.