Books
Switch: How to Change Things When Change is Hard
Switchcraft: Harnessing the Power of Mental Agility to Transform Your Life
Switchwords: How to Use One Word to Get What You Want
SWORD ART ONLINE 3: FAIRY DANCE
SWORD ART ONLINE PROGRESSIVE 2
Sword of Destiny (Illustrated HB)
SWS: The World Around Us – 5 (Envrionment Studies)
Syama Prasad Mookerjee
Sylvia Plath Poems Chosen by Carol Ann Duffy
Sylvia Plath: Drawings (LEAD)
Symplectic Geometry and Fourier Analysis: Second Edition
SYNCHRONICITY: THE EPIC QUEST TO UNDERSTAND THE QUANTUM NATURE OF CAUSE AND EFFECT
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













